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"Hair jewelry"

Temple University
DPLA
A flat hoop set with six filigree bosses and a plate engraved with the inscription Mazel Tov. The rest is enriched with six openwork bosses and rope ornament. The engraved plate has been added to the ring, seemingly after two bosses were removed, because the shank beneath the plate had been sawn through and then reconnected, Europe, ca. 1800. A flat hoop set with six filigree bosses and a plate engraved with the inscription Mazel Tov. The rest is enriched with six openwork bosses and rope ornament. The engraved plate has been added to the ring, seemingly after two bosses were removed, because the shank beneath the plate had been sawn through and then reconnected.  Gold wire.A flat hoop set with six filigree bosses and a plate engraved with the inscription Mazel Tov. The rest is enriched with six openwork bosses and rope ornament. The engraved plate has been added to the ring, seemingly after two bosses were removed, because the shank beneath the plate had been sawn through and then reconnected, Europe, ca. 1800. A flat hoop set with six filigree bosses and a plate engraved with the inscription Mazel Tov. The rest is enriched with six openwork bosses and rope ornament. The engraved plate has been added to the ring, seemingly after two bosses were removed, because the shank beneath the plate had been sawn through and then reconnected.  Gold wire.
IMAGE
Victoria and Albert Museum
Europeana
Aga Khan IIIAga Khan III
IMAGE
TopFoto.co.uk
Europeana
American millionaire ' s wifeAmerican millionaire ' s wife
IMAGE
TopFoto.co.uk
Europeana
Amussen's JewelryAmussen's Jewelry
IMAGE
Department of Heritage and Arts
DPLA
AztecAztec
IMAGE
Victoria and Albert Museum
Europeana
Blue cloth jewelry bag for jewelry box.Blue cloth jewelry bag for jewelry box.

Anacostia Community Museum
DPLA
Boelter's JewelryBoelter's Jewelry
IMAGE
University of Wisconsin Digital Collections
DPLA
Box, JewelryBox, Jewelry
PHYSICAL OBJECT
Aurora History Museum
DPLA
Boyd Park Jewelry Store, Pieces of JewelryBoyd Park Jewelry Store, Pieces of Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Boyd Park Jewelry Store, Wallace JewelryBoyd Park Jewelry Store, Wallace Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Bracelet made out of plaited gold, Greece, 4th-3rd century BC. Bracelet made out of plaited gold.  Gold, plaited.Bracelet made out of plaited gold, Greece, 4th-3rd century BC. Bracelet made out of plaited gold.  Gold, plaited.
IMAGE
Victoria and Albert Museum
Europeana
Bracelet with gold ram's-head terminals and blue glass rod, made in Southern Italy (Magna Graecia), about 400-300 BC. Bracelet with gold ram's-head terminals. The glass rod is coloured with a cobalt blue pigment.  Gold with granulation and blue glass.Bracelet with gold ram's-head terminals and blue glass rod, made in Southern Italy (Magna Graecia), about 400-300 BC. Bracelet with gold ram's-head terminals. The glass rod is coloured with a cobalt blue pigment.  Gold with granulation and blue glass.
IMAGE
Victoria and Albert Museum
Europeana
Bracelet, gold, in the form of a snake, Europe (Roman), 1st-3rd century. Bracelet, gold, in the form of a snake.  Gold.Bracelet, gold, in the form of a snake, Europe (Roman), 1st-3rd century. Bracelet, gold, in the form of a snake.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Bracelet, gold, probably Egypt (Roman Empire), about 200-300. Bracelet, gold.  Gold.Bracelet, gold, probably Egypt (Roman Empire), about 200-300. Bracelet, gold.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Bracelet, twisted gold with clasp, Eastern part of the Roman Empire, about 200-300. Bracelet, twisted gold with clasp.  Gold.Bracelet, twisted gold with clasp, Eastern part of the Roman Empire, about 200-300. Bracelet, twisted gold with clasp.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Canadian applesCanadian apples
IMAGE
TopFoto.co.uk
Europeana
Canadian applesCanadian apples
IMAGE
TopFoto.co.uk
Europeana
Cat burglar 's £7,000 jewelCat burglar 's £7,000 jewel
IMAGE
TopFoto.co.uk
Europeana
Cat burglar 's £7,000 jewelCat burglar 's £7,000 jewel
IMAGE
TopFoto.co.uk
Europeana
Child's ring, gold, the head or bezel in the form of pomegranates, Ancient Greece, 5th-3rd century BC. Child's ring, or part of a larger jewel. Gold, the head or bezel in the form of pomegranates.  Gold.Child's ring, gold, the head or bezel in the form of pomegranates, Ancient Greece, 5th-3rd century BC. Child's ring, or part of a larger jewel. Gold, the head or bezel in the form of pomegranates.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Christian Dior FashionChristian Dior Fashion
IMAGE
TopFoto.co.uk
Europeana
CircusCircus
IMAGE
TopFoto.co.uk
Europeana
CircusCircus
IMAGE
TopFoto.co.uk
Europeana
Crockery and accessories for layingCrockery and accessories for laying
IMAGE
TopFoto.co.uk
Europeana
Disc pendant imitating a coin of Emperor Justin II (565-78), depicting the Emperor's bust, England, probably Kent (Jutish), 560-600. Pendant, gold, imitating a coin of of Emperor Justin II (565-78). Obverse: Emperor's bust, the jowl set with a garnet, inscribed: 'DN IVSTINVS PPAV'.  Gold, inscribed, set with a garnet.Disc pendant imitating a coin of Emperor Justin II (565-78), depicting the Emperor's bust, England, probably Kent (Jutish), 560-600. Pendant, gold, imitating a coin of of Emperor Justin II (565-78). Obverse: Emperor's bust, the jowl set with a garnet, inscribed: 'DN IVSTINVS PPAV'.  Gold, inscribed, set with a garnet.
IMAGE
Victoria and Albert Museum
Europeana
Disc pendant imitating a coin of Emperor Valentinian II, Western Europe, 400-700, stamped with the Emperor's head and illegible inscription. Pendant, gold bracteate, imitating a coin of Valentinian. Obverse: Emperor's head and illegible inscription.  Gold bracteate.Disc pendant imitating a coin of Emperor Valentinian II, Western Europe, 400-700, stamped with the Emperor's head and illegible inscription. Pendant, gold bracteate, imitating a coin of Valentinian. Obverse: Emperor's head and illegible inscription.  Gold bracteate.
IMAGE
Victoria and Albert Museum
Europeana
Enamelled gold pendant set with table-cut rubies and emeralds, and hung with pearls, possibly made by the Castellani Firm, probably in Italy (Rome), about 1865. Jewelled Renaissance Revival pendant with brooch fitting. Enamelled gold set with table-cut rubies and emeralds, and hung with pearls.  Gold, enamel, set with rubies, emeralds and pearls.Enamelled gold pendant set with table-cut rubies and emeralds, and hung with pearls, possibly made by the Castellani Firm, probably in Italy (Rome), about 1865. Jewelled Renaissance Revival pendant with brooch fitting. Enamelled gold set with table-cut rubies and emeralds, and hung with pearls.  Gold, enamel, set with rubies, emeralds and pearls.
IMAGE
Victoria and Albert Museum
Europeana
Enamelled gold pendant, set with brilliant-cut diamonds, emeralds, a ruby, and hung with a pearl, probably made in Germany, about 1903. Enamelled gold pendant, set with brilliant-cut diamonds, emeralds, a ruby, hung with a pearl.  Enamelled gold, set with brilliant-cut diamonds, emeralds,a ruby, hung with a pearl.Enamelled gold pendant, set with brilliant-cut diamonds, emeralds, a ruby, and hung with a pearl, probably made in Germany, about 1903. Enamelled gold pendant, set with brilliant-cut diamonds, emeralds, a ruby, hung with a pearl.  Enamelled gold, set with brilliant-cut diamonds, emeralds,a ruby, hung with a pearl.
IMAGE
Victoria and Albert Museum
Europeana
Enamelled plaques set in gold, connected by gold chains, designed and made in Edinburgh by Phoebe Traquair, 1905. Enamelled plaques set in gold, connected by gold chains, depicting a mermaid on the central plaques, and ships. The central plaque is signed, and dated 1905 on the reverse.  Gold, enamel.Enamelled plaques set in gold, connected by gold chains, designed and made in Edinburgh by Phoebe Traquair, 1905. Enamelled plaques set in gold, connected by gold chains, depicting a mermaid on the central plaques, and ships. The central plaque is signed, and dated 1905 on the reverse.  Gold, enamel.
IMAGE
Victoria and Albert Museum
Europeana
European JewelryEuropean Jewelry

Art and Picture Collection. The New York Public Library
DPLA
Family jewelryFamily jewelry
IMAGE
George Ranch Historical Park
DPLA
Flato jewelryFlato jewelry
IMAGE
Huntington Library
DPLA
Flato jewelryFlato jewelry
IMAGE
Huntington Library
DPLA
Gold and blue enamel ring in the form of a garter set with a miniature portrait. English, 1730-70. Hoop imitating a garter, the bezel in the form of a small oval portrait miniature of a man. To the left of the bezel, an imitation buckle set with four diamond chips and a strap terminating in a diamond chip. The hoop is enamelled in royal blue with an inscription in reserve capital letters reading HONI SOIT QUI MAL Y PENSE.  Enamelled gold, set with diamonds and a miniature painting under rock crystal.Gold and blue enamel ring in the form of a garter set with a miniature portrait. English, 1730-70. Hoop imitating a garter, the bezel in the form of a small oval portrait miniature of a man. To the left of the bezel, an imitation buckle set with four diamond chips and a strap terminating in a diamond chip. The hoop is enamelled in royal blue with an inscription in reserve capital letters reading HONI SOIT QUI MAL Y PENSE.  Enamelled gold, set with diamonds and a miniature painting under rock crystal.
IMAGE
Victoria and Albert Museum
Europeana
Gold and blue enamel ring in the form of a garter. English, 1750-1800. Band in the form of a wavy rococo garter set with a buckle. Enamelled in royal blue with a feathered gold border, the inscription in reserve in gold reading HONI SOIT QUI MAL Y PENSE.  Enamelled gold.Gold and blue enamel ring in the form of a garter. English, 1750-1800. Band in the form of a wavy rococo garter set with a buckle. Enamelled in royal blue with a feathered gold border, the inscription in reserve in gold reading HONI SOIT QUI MAL Y PENSE.  Enamelled gold.
IMAGE
Victoria and Albert Museum
Europeana
Gold and enamel mourning ring commemorating the deaths of seven children, England, 1801. Gold band enamelled in black with narrow white enamel border at top and bottom. The outside of the hoop is inscribed in reserve on the black enamel: 'MB Agd 16 SB Agd 12 WB Agd 10 EB Agd 9 TB Agd 7 RB Agd 5 CB Agd 2'. The inside of the hoop is engraved with an inscription in italics: 'Died from the 16th to the 23rd Feby. 1801'.  Enamelled gold.Gold and enamel mourning ring commemorating the deaths of seven children, England, 1801. Gold band enamelled in black with narrow white enamel border at top and bottom. The outside of the hoop is inscribed in reserve on the black enamel: 'MB Agd 16 SB Agd 12 WB Agd 10 EB Agd 9 TB Agd 7 RB Agd 5 CB Agd 2'. The inside of the hoop is engraved with an inscription in italics: 'Died from the 16th to the 23rd Feby. 1801'.  Enamelled gold.
IMAGE
Victoria and Albert Museum
Europeana
Hairpin, carved ivory surmounted by the crowned figure of a lion, North Italy, 14th century. Carved ivory hairpin surmounted by the crowned figure of a crouching lion.  Carved ivory.Hairpin, carved ivory surmounted by the crowned figure of a lion, North Italy, 14th century. Carved ivory hairpin surmounted by the crowned figure of a crouching lion.  Carved ivory.
IMAGE
Victoria and Albert Museum
Europeana
Heart-shaped silver locket, made in England, 1670-1680.   Heart-shaped silver locket, made in England, 1670-1680.   
IMAGE
Victoria and Albert Museum
Europeana
Hinged bracelet, gold with filigree and granulation, made by Castellani, Italy, about 1860-80. Etruscan-style bracelet with hinged panels. Applied wire and granulated decoration. Signed with the monogram 'AC' in applied wire, for Alessandro Castellani. Design adapted from 'ancient' bracelets, part of the Campana collection now in the Louvre, Paris. The Louvre bracelets are made of authentic Etruscan a baule earrings of about 600-450 BC hammered flat mixed with modern plaques in the Etruscan style, made into a bracelet in the second half of the nineteenth century.  Gold, hinged panels with applied wire and granulated decoration.Hinged bracelet, gold with filigree and granulation, made by Castellani, Italy, about 1860-80. Etruscan-style bracelet with hinged panels. Applied wire and granulated decoration. Signed with the monogram 'AC' in applied wire, for Alessandro Castellani. Design adapted from 'ancient' bracelets, part of the Campana collection now in the Louvre, Paris. The Louvre bracelets are made of authentic Etruscan a baule earrings of about 600-450 BC hammered flat mixed with modern plaques in the Etruscan style, made into a bracelet in the second half of the nineteenth century.  Gold, hinged panels with applied wire and granulated decoration.
IMAGE
Victoria and Albert Museum
Europeana
Hinged bracelet, gold with filigree and granulation, made by Castellani, Italy, about 1860-80. Etruscan-style bracelet with hinged panels. Applied wire and granulated decoration. Signed with the monogram 'AC' in applied wire, for Alessandro Castellani. Design adapted from 'ancient' bracelets, part of the Campana collection now in the Louvre, Paris. The Louvre bracelets are made of authentic Etruscan a baule earrings of about 600-450 BC hammered flat mixed with modern plaques in the Etruscan style, made into a bracelet in the second half of the nineteenth century.  Gold, hinged panels with applied wire and granulated decoration.Hinged bracelet, gold with filigree and granulation, made by Castellani, Italy, about 1860-80. Etruscan-style bracelet with hinged panels. Applied wire and granulated decoration. Signed with the monogram 'AC' in applied wire, for Alessandro Castellani. Design adapted from 'ancient' bracelets, part of the Campana collection now in the Louvre, Paris. The Louvre bracelets are made of authentic Etruscan a baule earrings of about 600-450 BC hammered flat mixed with modern plaques in the Etruscan style, made into a bracelet in the second half of the nineteenth century.  Gold, hinged panels with applied wire and granulated decoration.
IMAGE
Victoria and Albert Museum
Europeana
Horn ,with a verre eglomisé plaque behind glass, Salzburg, ca.1650-1700. Double-sided pendant made of horn. Set in the front behind glass is a verre eglomisé (reverse painted glass) plaque, depicting the Virgin Mary. Set into the back are small relics and pieces of paschal candle, labelled Horn ,with a verre eglomisé plaque behind glass, Salzburg, ca.1650-1700. Double-sided pendant made of horn. Set in the front behind glass is a verre eglomisé (reverse painted glass) plaque, depicting the Virgin Mary. Set into the back are small relics and pieces of paschal candle, labelled "Santa Martyr" (martyr saint) and "Agnus Dei" (lamb of God).  Horn ,with a verre eglomisé plaque behind glass.
IMAGE
Victoria and Albert Museum
Europeana
Ivory and silver beer steins,Ivory and silver beer steins,
IMAGE
TopFoto.co.uk
Europeana
Jewelry BoxJewelry Box

NMNH - Anthropology Dept
DPLA
Jewelry BoxJewelry Box

NMNH - Anthropology Dept
DPLA
Jewelry DesignsJewelry Designs
PHYSICAL OBJECT, IMAGE
Cooper Hewitt, Smithsonian Design Museum
DPLA
Jewelry StoreJewelry Store
IMAGE
Deaf Smith County Library
DPLA
Jewelry StoreJewelry Store
IMAGE
Quincy Public Library
DPLA
Jewelry StoreJewelry Store
IMAGE
Deaf Smith County Library
DPLA
Jewelry advertisementJewelry advertisement
IMAGE
Cazenovia College. Library
DPLA
Jewelry boxJewelry box

Historic New England
DPLA
Jewelry boxJewelry box

East Carolina University
DPLA
Jewelry boxJewelry box

Cooper Hewitt, Smithsonian Design Museum
DPLA
Jewelry classJewelry class
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry classJewelry class
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry classJewelry class
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry classJewelry class
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry classJewelry class
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry makingJewelry making
IMAGE
Special Collections and University Archives, University of Massachusetts Amherst Libraries
DPLA
Jewelry storeJewelry store
IMAGE
Denver Public Library
DPLA
Jewelry, PhoeniciaJewelry, Phoenicia

Art and Picture Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
George Ranch Historical Park
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
UC Riverside, Library, Special Collections and University Archives
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry

Art and Picture Collection. The New York Public Library
DPLA
JewelryJewelry
PHYSICAL OBJECT
Aurora History Museum
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
UC Riverside, Library, Special Collections and University Archives
DPLA
JewelryJewelry
IMAGE
UC Riverside, Library, Special Collections and University Archives
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

Avery Research Center at the College of Charleston
DPLA
JewelryJewelry
IMAGE
University of Wisconsin Digital Collections
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry
IMAGE
Boston Public Library
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
Department of Classics and the Department of the History of Art and Architecture, University of Oregon
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry
TEXT
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
IMAGE
UC Riverside, Library, Special Collections and University Archives
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry

National Air and Space Museum
DPLA
JewelryJewelry

NMNH - Anthropology Dept
DPLA
JewelryJewelry
IMAGE
Center for Sacramento History
DPLA
JewelryJewelry

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. The New York Public Library
DPLA
JewelryJewelry
PHYSICAL OBJECT
University of Southern California Digital Library
DPLA
JewelryJewelry
PHYSICAL OBJECT
University of Southern California Digital Library
DPLA
Jewels which in the pastJewels which in the past
IMAGE
TopFoto.co.uk
Europeana
Joan Bennett, Hollywood film actress,Joan Bennett, Hollywood film actress,
IMAGE
TopFoto.co.uk
Europeana
Kid tiger , partner ofKid tiger , partner of
IMAGE
TopFoto.co.uk
Europeana
Myers JewelryMyers Jewelry
IMAGE
Pikes Peak Library District
DPLA
Necklace of gold, amethyst, emeralds and blue glass beads, Europe (Roman), 2nd century. Necklace made with gold, amethyst, emeralds and blue glass beads. French import mark introduced in 1893 for articles form countries without customs conventions.  Gold, amethyst, emerald, blue glass.Necklace of gold, amethyst, emeralds and blue glass beads, Europe (Roman), 2nd century. Necklace made with gold, amethyst, emeralds and blue glass beads. French import mark introduced in 1893 for articles form countries without customs conventions.  Gold, amethyst, emerald, blue glass.
IMAGE
Victoria and Albert Museum
Europeana
Necklace of shell cameos set in gold slips depicting scenes of wine and love, Italy, about 1800. Necklace of shells and gold. Shell cameos set in gold slips, connected by chains; scenes of Wine and Love.  Shells and gold.Necklace of shell cameos set in gold slips depicting scenes of wine and love, Italy, about 1800. Necklace of shells and gold. Shell cameos set in gold slips, connected by chains; scenes of Wine and Love.  Shells and gold.
IMAGE
Victoria and Albert Museum
Europeana
Necklace of topaz and rose-cut diamonds set in silver, Spain, mid 18th century. Necklace of topazes and rose-cut diamonds set in silver.  Topazes and rose-cut diamonds set in silver.Necklace of topaz and rose-cut diamonds set in silver, Spain, mid 18th century. Necklace of topazes and rose-cut diamonds set in silver.  Topazes and rose-cut diamonds set in silver.
IMAGE
Victoria and Albert Museum
Europeana
Necklace with a cylinder seal pendant, gold with loop-in-loop chain, filigree and granulation, carnelian engraved with a female figure and a bird, Ancient Greece, about 300 BC. Gold necklace with a loop-in-loop chain, filigree decoration and granulation. The cylinder seal pendant is of carnelian, engraved with a depiction of a female figure and a bird.  Gold with granulation, engraved carnelian.Necklace with a cylinder seal pendant, gold with loop-in-loop chain, filigree and granulation, carnelian engraved with a female figure and a bird, Ancient Greece, about 300 BC. Gold necklace with a loop-in-loop chain, filigree decoration and granulation. The cylinder seal pendant is of carnelian, engraved with a depiction of a female figure and a bird.  Gold with granulation, engraved carnelian.
IMAGE
Victoria and Albert Museum
Europeana
Necklace with female heads, gold, with granulation, garnet, emerald, glass in imitation of onyx and pearl, Greek world, about 200-100 BC. Necklace with female heads, gold with granulation, garnet, emerald, glass in imitation of onyx and pearl.  Gold, emerald and garnet.Necklace with female heads, gold, with granulation, garnet, emerald, glass in imitation of onyx and pearl, Greek world, about 200-100 BC. Necklace with female heads, gold with granulation, garnet, emerald, glass in imitation of onyx and pearl.  Gold, emerald and garnet.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, Roman Empire, about 100-200, gold and variscite beads polished into hexagonal prisms in imitation of emerald. Necklace, gold chain strung with variscite beads.  Gold, variscite.Necklace, Roman Empire, about 100-200, gold and variscite beads polished into hexagonal prisms in imitation of emerald. Necklace, gold chain strung with variscite beads.  Gold, variscite.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, amethysts and brilliant-cut crystals set in gold, probably England, early 18th century. Necklace, amethysts and brilliant-cut crystals set in gold.  Amethysts, crystals and gold.Necklace, amethysts and brilliant-cut crystals set in gold, probably England, early 18th century. Necklace, amethysts and brilliant-cut crystals set in gold.  Amethysts, crystals and gold.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Necklace, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.Necklace, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Necklace, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold chain strung with garnet and green glass beads, the clasp decorated with the head of a goat, Greece, 3rd century BC. Necklace, consisting of a gold chain strung with garnet beads and two beads of green glass capped in gold; the clasp decorated with the head of a goat.  Gold with garnet and green glass.Necklace, gold chain strung with garnet and green glass beads, the clasp decorated with the head of a goat, Greece, 3rd century BC. Necklace, consisting of a gold chain strung with garnet beads and two beads of green glass capped in gold; the clasp decorated with the head of a goat.  Gold with garnet and green glass.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold chain strung with garnet beads, the clasp in the form of goat heads, Greece, about 200-100 BC. Necklace. A gold loop-in-loop chain strung with garnet beads, the clasp in the form of goat heads.  Gold and garnet.Necklace, gold chain strung with garnet beads, the clasp in the form of goat heads, Greece, about 200-100 BC. Necklace. A gold loop-in-loop chain strung with garnet beads, the clasp in the form of goat heads.  Gold and garnet.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold chain, Roman Empire, 200-400. Necklace, gold chain of flat gold links.  Gold.Necklace, gold chain, Roman Empire, 200-400. Necklace, gold chain of flat gold links.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold links with variscite beads (one amazonite) polished into hexagonal prisms in imitation of emerald, Roman Empire, about 100-200. Necklace of gold links with variscite beads (one amazonite), polished into hexagonal prisms in imitation of emerald.  Gold, variscite, amazonite.Necklace, gold links with variscite beads (one amazonite) polished into hexagonal prisms in imitation of emerald, Roman Empire, about 100-200. Necklace of gold links with variscite beads (one amazonite), polished into hexagonal prisms in imitation of emerald.  Gold, variscite, amazonite.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold with black and white enamel and with inscription on the chain, Italian, ca. 1540. The chain is composed of eight groups of seven and one group of ten rosette shaped links enamelled in black between cloisons. Plain twisted gold wire links connect the rosettes. Interspaced between the groups of rosette links, are nine rectangular oblong links in gold enamelled white and painted in Roman capitals UBI AMOR IBI FIDES.  Gold, enamelled in black and white.Necklace, gold with black and white enamel and with inscription on the chain, Italian, ca. 1540. The chain is composed of eight groups of seven and one group of ten rosette shaped links enamelled in black between cloisons. Plain twisted gold wire links connect the rosettes. Interspaced between the groups of rosette links, are nine rectangular oblong links in gold enamelled white and painted in Roman capitals UBI AMOR IBI FIDES.  Gold, enamelled in black and white.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold, pierced clasp and bud pendant, Europe (Roman), 2nd century. Necklace, gold, pierced clasp and bud pendant.  Gold, pierced.Necklace, gold, pierced clasp and bud pendant, Europe (Roman), 2nd century. Necklace, gold, pierced clasp and bud pendant.  Gold, pierced.
IMAGE
Victoria and Albert Museum
Europeana
Necklace, gold, set with garnets, the clasp in the form of a human head in garnet, Greece, 3rd century BC. Necklace, gold, set with garnets. The clasp is in the form of a human head, in garnet.  Gold, emerald and garnet.Necklace, gold, set with garnets, the clasp in the form of a human head in garnet, Greece, 3rd century BC. Necklace, gold, set with garnets. The clasp is in the form of a human head, in garnet.  Gold, emerald and garnet.
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Victoria and Albert Museum
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Necklace, gold, set with opals, pearls and emeralds and decorated with enamel, designed by Henry Wilson, made at the workshop of Henry Wilson, London, about 1905. Necklace, gold, set with opals, pearls and emeralds and decorated with enamel. With pendant medallion depicting a kneeling figure of a girl.  Gold, enamelled, opals, pearls, emeralds.Necklace, gold, set with opals, pearls and emeralds and decorated with enamel, designed by Henry Wilson, made at the workshop of Henry Wilson, London, about 1905. Necklace, gold, set with opals, pearls and emeralds and decorated with enamel. With pendant medallion depicting a kneeling figure of a girl.  Gold, enamelled, opals, pearls, emeralds.
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Victoria and Albert Museum
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Necklace, granulated and plain gold, glass and amber beaded work, probably made in Tuscany (Etruria), 500-400 BC. Necklace of embossed and granulated sheet gold, with blue glass and amber beads.  Embossed and granulated sheet gold with blue glass and amber beads.Necklace, granulated and plain gold, glass and amber beaded work, probably made in Tuscany (Etruria), 500-400 BC. Necklace of embossed and granulated sheet gold, with blue glass and amber beads.  Embossed and granulated sheet gold with blue glass and amber beads.
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Victoria and Albert Museum
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Necklace, lyre-shaped gold links alternating with amethyst beads, made in Europe during the Roman Empire, about 100-200. Necklace of amethyst beads united by lyre-shaped gold links. Gold hook and eye fastening.  Gold, amethyst.Necklace, lyre-shaped gold links alternating with amethyst beads, made in Europe during the Roman Empire, about 100-200. Necklace of amethyst beads united by lyre-shaped gold links. Gold hook and eye fastening.  Gold, amethyst.
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Victoria and Albert Museum
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Necklace, probably Egypt (Roman Empire), about 100-200, gold. Necklace, gold, with a pierced clasp and bud pendant.  Gold.Necklace, probably Egypt (Roman Empire), about 100-200, gold. Necklace, gold, with a pierced clasp and bud pendant.  Gold.
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Victoria and Albert Museum
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Necklace, table-cut and rose-cut diamonds and pearls set in gold, Spain, early 18th century. Necklace, table-cut and rose-cut diamonds and pearls set in gold.  Gold, diamonds and pearls.Necklace, table-cut and rose-cut diamonds and pearls set in gold, Spain, early 18th century. Necklace, table-cut and rose-cut diamonds and pearls set in gold.  Gold, diamonds and pearls.
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Victoria and Albert Museum
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Necklaces, JewelryNecklaces, Jewelry
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Center for Sacramento History
DPLA
News Clip: Rock jewelry, Rock JewelryNews Clip: Rock jewelry, Rock Jewelry
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UNT Libraries Special Collections
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Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello, Europe (Early Christian), about 3rd century. Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello.  Gold, niello.Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello, Europe (Early Christian), about 3rd century. Ornament or child's bracelet, gold, with a star-shaped plaque bearing a cross pattée within a wreath, in niello.  Gold, niello.
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Victoria and Albert Museum
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Pair of bracelet terminals in the form of bull heads, gold, Ancient Greece, 7th century BC. Pair of gold bracelet terminals in the form of bull heads. The original bracelet band has been lost.  Gold.Pair of bracelet terminals in the form of bull heads, gold, Ancient Greece, 7th century BC. Pair of gold bracelet terminals in the form of bull heads. The original bracelet band has been lost.  Gold.
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Victoria and Albert Museum
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Pair of bracelets, decorated with the Sacred Monogram and inscribed in enamel, North European, ca. 1600. Pair of bracelets, the clasps are decorated with the Sacred Monogram (IHS) in enamel and inscribed 'IASMVPL'.  Gold, enamelled.Pair of bracelets, decorated with the Sacred Monogram and inscribed in enamel, North European, ca. 1600. Pair of bracelets, the clasps are decorated with the Sacred Monogram (IHS) in enamel and inscribed 'IASMVPL'.  Gold, enamelled.
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Victoria and Albert Museum
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Pair of lovers eating breakfast:Pair of lovers eating breakfast:
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TopFoto.co.uk
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Pair of sleeve links, gold, set with a cipher in gold wire under crystal, England, early 18th century. Pair of sleeve links, gold, set with a cipher in gold wire under crystal.  Gold with crystal.Pair of sleeve links, gold, set with a cipher in gold wire under crystal, England, early 18th century. Pair of sleeve links, gold, set with a cipher in gold wire under crystal.  Gold with crystal.
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Victoria and Albert Museum
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Part of a stomacher, set with citrines and yellow topazes set in silver, made in Portugal, about 1750. Pendant, part of a stomacher, citrines and yellow topazes set in silver.  Citrines and yellow topazes, set in silver.Part of a stomacher, set with citrines and yellow topazes set in silver, made in Portugal, about 1750. Pendant, part of a stomacher, citrines and yellow topazes set in silver.  Citrines and yellow topazes, set in silver.
IMAGE
Victoria and Albert Museum
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Partially gilded silver and verre eglomisé with a painting of the Crucifixion and embossed image of the Annunciation, Germany, 1550-1600. On the obverse is a painting under glass of the Crucifixion; on the reverse is an embossed gold plaque of the Annunciation.  Partially gilded silver and verre eglomisé.Partially gilded silver and verre eglomisé with a painting of the Crucifixion and embossed image of the Annunciation, Germany, 1550-1600. On the obverse is a painting under glass of the Crucifixion; on the reverse is an embossed gold plaque of the Annunciation.  Partially gilded silver and verre eglomisé.
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Victoria and Albert Museum
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Pendant cross of carnelians and rose-cut diamonds set in gilded silver, made in Germany, about 1720. Pendant cross of carnelians and rose-cut diamonds set in gilded silver.  Carnelians, rose-cut diamonds set in gilded silver.Pendant cross of carnelians and rose-cut diamonds set in gilded silver, made in Germany, about 1720. Pendant cross of carnelians and rose-cut diamonds set in gilded silver.  Carnelians, rose-cut diamonds set in gilded silver.
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Victoria and Albert Museum
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Pendant cross with rose-cut diamonds and rubies set in silver, Northern European, 18th century. Pendant cross with rose-cut diamonds and rubies set in silver, backed with gold.  Rose-cut diamonds and rubies set in silver, backed with gold.Pendant cross with rose-cut diamonds and rubies set in silver, Northern European, 18th century. Pendant cross with rose-cut diamonds and rubies set in silver, backed with gold.  Rose-cut diamonds and rubies set in silver, backed with gold.
IMAGE
Victoria and Albert Museum
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Pendant cross, rose-cut diamonds and rubies set in partially gilded silver, probably made in Germany, 1700-1750. Pendant cross, rose-cut diamonds and rubies set in partially gilded silver openwork.  Diamonds and rubies in partially gilded silver.Pendant cross, rose-cut diamonds and rubies set in partially gilded silver, probably made in Germany, 1700-1750. Pendant cross, rose-cut diamonds and rubies set in partially gilded silver openwork.  Diamonds and rubies in partially gilded silver.
IMAGE
Victoria and Albert Museum
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Pendant in the form of a peacock with chain, enamelled gold, silver, set with turquoises, designed by C.R. Ashbee and made by the Guild of Handicraft Ltd, London, about 1902. Enamelled gold and silver peacock pendant and chain, the peacock curved around a turquoise matrix. Three turquoises are set in the chain.  Enamelled gold, sivler, turquoise matrix and three turquoises set in the chain.Pendant in the form of a peacock with chain, enamelled gold, silver, set with turquoises, designed by C.R. Ashbee and made by the Guild of Handicraft Ltd, London, about 1902. Enamelled gold and silver peacock pendant and chain, the peacock curved around a turquoise matrix. Three turquoises are set in the chain.  Enamelled gold, sivler, turquoise matrix and three turquoises set in the chain.
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Victoria and Albert Museum
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Pendant of gold and silver, set with rubies, chrysoprases, sapphires, aquamarines and opals, designed and made by John Paul Cooper, Birmingham, 1906. The pendant consists of a madonna and child within a jewelled niche, which hangs within an circular wire frame decorated with stars. A further small circular pendant and drop hang below, while above a dove descends between the two chains that connect the suspension loop.  Hand-worked silver and gold with rubies, aquamarines, sapphires, opals and chrysoprases.Pendant of gold and silver, set with rubies, chrysoprases, sapphires, aquamarines and opals, designed and made by John Paul Cooper, Birmingham, 1906. The pendant consists of a madonna and child within a jewelled niche, which hangs within an circular wire frame decorated with stars. A further small circular pendant and drop hang below, while above a dove descends between the two chains that connect the suspension loop.  Hand-worked silver and gold with rubies, aquamarines, sapphires, opals and chrysoprases.
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Victoria and Albert Museum
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Pendant with slide, rose-cut diamonds and brilliant-cut rubies set in silver, northern Europe, early 18th century. Pendant with slide, rose-cut diamonds and brilliant-cut rubies set in silver, parcel-gilt.  Diamonds, rubies with silver-gilt.Pendant with slide, rose-cut diamonds and brilliant-cut rubies set in silver, northern Europe, early 18th century. Pendant with slide, rose-cut diamonds and brilliant-cut rubies set in silver, parcel-gilt.  Diamonds, rubies with silver-gilt.
IMAGE
Victoria and Albert Museum
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Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.
IMAGE
Victoria and Albert Museum
Europeana
Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver, Spain, mid 18th century. Pendant, brilliant-cut and rose-cut diamonds and topazes set in silver; an emerald in one pendant.  Diamonds, topazes, emerald and silver.
IMAGE
Victoria and Albert Museum
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Pendant, diamond sparks and rubies set in gold and silver openwork, probably Portugal, 18th century. Pendant, diamond sparks and rubies set in gold and silver openwork; a bow applied to the front of the suspension loop.  Diamonds and rubies set in gold and silver.Pendant, diamond sparks and rubies set in gold and silver openwork, probably Portugal, 18th century. Pendant, diamond sparks and rubies set in gold and silver openwork; a bow applied to the front of the suspension loop.  Diamonds and rubies set in gold and silver.
IMAGE
Victoria and Albert Museum
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Pendant, emeralds, brilliant-cut diamonds and seed pearls set in silver, Europe, ca. 1740-1760. Pendant, emeralds, brilliant-cut diamonds and seed pearls set in silver.  Emeralds, diamonds and pearls with silver.Pendant, emeralds, brilliant-cut diamonds and seed pearls set in silver, Europe, ca. 1740-1760. Pendant, emeralds, brilliant-cut diamonds and seed pearls set in silver.  Emeralds, diamonds and pearls with silver.
IMAGE
Victoria and Albert Museum
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Pendant, enamelled gold, decorated with Behold the Man! ('Ecce Homo') and scenes from Christ's Passion, made in France about 1640-1650. Pendant, gold decorated with grisaille enamel, in the centre, Behold the Man! ('Ecce Homo'), surrounded by scenes from the Passion of Christ; the reverse with painted enamel flowers. The pendant is hung with a pearl.  Gold hung with a pearl and decorated with grisaille and painted enamel.Pendant, enamelled gold, decorated with Behold the Man! ('Ecce Homo') and scenes from Christ's Passion, made in France about 1640-1650. Pendant, gold decorated with grisaille enamel, in the centre, Behold the Man! ('Ecce Homo'), surrounded by scenes from the Passion of Christ; the reverse with painted enamel flowers. The pendant is hung with a pearl.  Gold hung with a pearl and decorated with grisaille and painted enamel.
IMAGE
Victoria and Albert Museum
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Pendant, gold hung with a lenticular gem of red jasper engraved with two lions, Greece, Mycenaean period, about 1450-1100 BC. Gold pendant hung with a lenticular gem of red jasper engraved with two lions.  Gold hung with engraved red jasper.Pendant, gold hung with a lenticular gem of red jasper engraved with two lions, Greece, Mycenaean period, about 1450-1100 BC. Gold pendant hung with a lenticular gem of red jasper engraved with two lions.  Gold hung with engraved red jasper.
IMAGE
Victoria and Albert Museum
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Pendant, gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise, designed by Henry Wilson and made at his workshop, London, about 1900. Pendant of gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise. At the back, hidden by the pearls, a pendant relief of the Virgin and Child with the legend 'MATER CHRISTI', probably embossed b Felice Signorelli. Maker's mark HW in monogram.  Gold openwork, gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise.Pendant, gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise, designed by Henry Wilson and made at his workshop, London, about 1900. Pendant of gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise. At the back, hidden by the pearls, a pendant relief of the Virgin and Child with the legend 'MATER CHRISTI', probably embossed b Felice Signorelli. Maker's mark HW in monogram.  Gold openwork, gold openwork, pearls, blister pearls sapphires, emeralds, rubies, moonstone, turquoise.
IMAGE
Victoria and Albert Museum
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Pendant, gold, depicting a mask, northern Italy (Tuscany or Umbria), Etruscan, 5th-3rd century BC. Pendant, gold, decorated with mask depicting the face of a bearded man, perhaps a deity.  Gold.Pendant, gold, depicting a mask, northern Italy (Tuscany or Umbria), Etruscan, 5th-3rd century BC. Pendant, gold, decorated with mask depicting the face of a bearded man, perhaps a deity.  Gold.
IMAGE
Victoria and Albert Museum
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Pendant, gold, probably struck to commemorate the elevation of William IV, made in The Netherlands, 1747. Pendant, gold, probably struck to commemorate the elevation of Prince William Charles Henry Friso (died 1751) to the dignity of Stadholder of the Netherlands under the title of William IV.  Gold.Pendant, gold, probably struck to commemorate the elevation of William IV, made in The Netherlands, 1747. Pendant, gold, probably struck to commemorate the elevation of Prince William Charles Henry Friso (died 1751) to the dignity of Stadholder of the Netherlands under the title of William IV.  Gold.
IMAGE
Victoria and Albert Museum
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Pendant, gold, set with a cameo under crystal of George I, England, about 1715. Pendant, gold, set with a cameo under crystal of George I (reigned 1714-1727).  Gold with crystal.Pendant, gold, set with a cameo under crystal of George I, England, about 1715. Pendant, gold, set with a cameo under crystal of George I (reigned 1714-1727).  Gold with crystal.
IMAGE
Victoria and Albert Museum
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Pendant, gold, set with an enamelled group of a tea-party, England, mid 18th century. Pendant, gold, set with an enamelled group of a tea-party, modelled in relief.  Gold with enamelling.Pendant, gold, set with an enamelled group of a tea-party, England, mid 18th century. Pendant, gold, set with an enamelled group of a tea-party, modelled in relief.  Gold with enamelling.
IMAGE
Victoria and Albert Museum
Europeana
Pin or hair ornament, gold hung with emeralds, Europe (Roman), 1st-4th century. Pin or hair ornament, gold hung with emeralds.  Gold, emerald.Pin or hair ornament, gold hung with emeralds, Europe (Roman), 1st-4th century. Pin or hair ornament, gold hung with emeralds.  Gold, emerald.
IMAGE
Victoria and Albert Museum
Europeana
Pin or hair ornament, gold, in the form of a daisy, Europe (Roman), 1st-4th century. Gold pin or hair ornament, in the form of a daisy.  Gold.Pin or hair ornament, gold, in the form of a daisy, Europe (Roman), 1st-4th century. Gold pin or hair ornament, in the form of a daisy.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Pin with pendant ring, gold, the pin in the form of a bird, Greece, 7th century BC. Pin with pendant ring, gold, the pin in the form of a bird.  Gold.Pin with pendant ring, gold, the pin in the form of a bird, Greece, 7th century BC. Pin with pendant ring, gold, the pin in the form of a bird.  Gold.
IMAGE
Victoria and Albert Museum
Europeana
Pin, rose-cut diamonds and rubies set in silver, Northern European, 18th century. Pin of rose-cut diamonds and rubies set in silver, backed with gold.  Rose-cut diamonds and rubies, silver in silver, backed with gold.Pin, rose-cut diamonds and rubies set in silver, Northern European, 18th century. Pin of rose-cut diamonds and rubies set in silver, backed with gold.  Rose-cut diamonds and rubies, silver in silver, backed with gold.
IMAGE
Victoria and Albert Museum
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Portion of a necklace, flattened plain and minutely granulated globular gold beads, made in northern Italy (Tuscany or Umbria), Etruscan, 7th-5th century BC. Portion of a necklace formed of flattened globular beads, alternately plain and minutely granulated.  Gold with granulation.Portion of a necklace, flattened plain and minutely granulated globular gold beads, made in northern Italy (Tuscany or Umbria), Etruscan, 7th-5th century BC. Portion of a necklace formed of flattened globular beads, alternately plain and minutely granulated.  Gold with granulation.
IMAGE
Victoria and Albert Museum
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Portrait of a young ladyPortrait of a young lady
IMAGE
TopFoto.co.uk
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Reliquary pendant, silver, silver-gilt and enamel, depicting St John the Baptist on the obverse, the lid with St George and the Dragon. France, about 1350-1480. Reliquary pendant, of circular form, silver, silver gilt, enamel. The case with a ribbed frame and a corded wire edging, to which is attatched two suspension hoops above and one below. The hinged lid attached to the frame at the top. The medallion on the obverse decorated with translucent blue and green enamel, and depicts St John the Baptist, wearing a green tunic, his head, arms and legs reserved in plain silver, who points to a medallion of the Agnus Dei, all within a landscape. The lid is decorated with an embossed relief in silver gilt of St George and the Dragon, the kneeling princess at the right, the dragon below, and above the saint's head a motif of rays issuing from the sun, now interrupted by the hinge.  Silver, silver gilt, enamel.Reliquary pendant, silver, silver-gilt and enamel, depicting St John the Baptist on the obverse, the lid with St George and the Dragon. France, about 1350-1480. Reliquary pendant, of circular form, silver, silver gilt, enamel. The case with a ribbed frame and a corded wire edging, to which is attatched two suspension hoops above and one below. The hinged lid attached to the frame at the top. The medallion on the obverse decorated with translucent blue and green enamel, and depicts St John the Baptist, wearing a green tunic, his head, arms and legs reserved in plain silver, who points to a medallion of the Agnus Dei, all within a landscape. The lid is decorated with an embossed relief in silver gilt of St George and the Dragon, the kneeling princess at the right, the dragon below, and above the saint's head a motif of rays issuing from the sun, now interrupted by the hinge.  Silver, silver gilt, enamel.
IMAGE
Victoria and Albert Museum
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Ring, enamelled gold, set with rubies, made in Germany, early 17th century. Ring of gold, set with rubies and the figure 3 in enamel.  Enamelled gold, set with rubies.Ring, enamelled gold, set with rubies, made in Germany, early 17th century. Ring of gold, set with rubies and the figure 3 in enamel.  Enamelled gold, set with rubies.
IMAGE
Victoria and Albert Museum
Europeana
Ring, possibly for a lock of hair, decorated with lion-head terminals, Greece, 4th-3rd century BC. A ring, possibly for a lock of hair, decorated with lion-head terminals.  Gold.Ring, possibly for a lock of hair, decorated with lion-head terminals, Greece, 4th-3rd century BC. A ring, possibly for a lock of hair, decorated with lion-head terminals.  Gold.
IMAGE
Victoria and Albert Museum
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Round silver medallion stamped with a portrait of King Charles II, made in England, 1670-1680.   Round silver medallion stamped with a portrait of King Charles II, made in England, 1670-1680.   
IMAGE
Victoria and Albert Museum
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Schubach JewelrySchubach Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Schubach JewelrySchubach Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Schubach JewelrySchubach Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Schubach JewelrySchubach Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Schubach JewelrySchubach Jewelry
IMAGE
Department of Heritage and Arts
DPLA
Silver and enamel necklace set with pearls, designed by Archibald Knox, made W.H. Haseler, Birmingham about 1902. A gold necklace consisting of eight delicate plaques of Celtic inspiration, each set with either an opal or blister pearl and connected by two strands of fine gold chain.  Gold set with pearl and opal.Silver and enamel necklace set with pearls, designed by Archibald Knox, made W.H. Haseler, Birmingham about 1902. A gold necklace consisting of eight delicate plaques of Celtic inspiration, each set with either an opal or blister pearl and connected by two strands of fine gold chain.  Gold set with pearl and opal.
IMAGE
Victoria and Albert Museum
Europeana
Silver and partially gilded medallion pendant, engraved with Christ in the tomb and St George and the Dragon, made in Germany, about 1520-30. Silver and partially gilded medallion pendant of circular form, with a coiled wire frame and suspension loop above. On the obverse a scene of the Resurrection, on the St George and the Dragon.  Silver, engraved and gilded.Silver and partially gilded medallion pendant, engraved with Christ in the tomb and St George and the Dragon, made in Germany, about 1520-30. Silver and partially gilded medallion pendant of circular form, with a coiled wire frame and suspension loop above. On the obverse a scene of the Resurrection, on the St George and the Dragon.  Silver, engraved and gilded.
IMAGE
Victoria and Albert Museum
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Silver-gilt pendant depicting the Crucifixion, German, about 1500. The pendant depicts the Crucifixion. A tall composition, set on a rocky base featuring Golgotha, with two skulls and a bone. Christ is shown attached to a tree, with its trunk twisted in formal bands and with lopped boughs; two thieves are crucified to thinner, more naturalistic trees beside him. In front Longinus pierces Christ's side with the lance; Mary (left) and John (right) stand to either side of him, raised on small pedestals. The tree terminates in a hexagonal-shape motif to which is attached a corded ring for suspension. Spear bent and bottom scraped; a hole pierced in the base, perhaps for attachment to a stand.  Cast and engraved silver, partially gilt.Silver-gilt pendant depicting the Crucifixion, German, about 1500. The pendant depicts the Crucifixion. A tall composition, set on a rocky base featuring Golgotha, with two skulls and a bone. Christ is shown attached to a tree, with its trunk twisted in formal bands and with lopped boughs; two thieves are crucified to thinner, more naturalistic trees beside him. In front Longinus pierces Christ's side with the lance; Mary (left) and John (right) stand to either side of him, raised on small pedestals. The tree terminates in a hexagonal-shape motif to which is attached a corded ring for suspension. Spear bent and bottom scraped; a hole pierced in the base, perhaps for attachment to a stand.  Cast and engraved silver, partially gilt.
IMAGE
Victoria and Albert Museum
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Silver-gilt pendant of St George and the Dragon, German, mid 16th century. The pendant is cast with St Geroge and the Dragon. The saint is on horseback with sword uplifted in his right hand to strike the dragon beneath his horse's hooves. At the top is a corded ring and at the bottom a small knot pendant.  Silver-gilt.Silver-gilt pendant of St George and the Dragon, German, mid 16th century. The pendant is cast with St Geroge and the Dragon. The saint is on horseback with sword uplifted in his right hand to strike the dragon beneath his horse's hooves. At the top is a corded ring and at the bottom a small knot pendant.  Silver-gilt.
IMAGE
Victoria and Albert Museum
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Silver-gilt pendant of the Martyrdom of St Barbara, with a crystal bead below, Germany, late 15th century. Pendant, depicts the Martyrdom of St Barbara. The saint kneels before her emblem, the chalice; her father raises a sword to slay her. A crystal bead hangs by a silver ring below. The loop for suspension is shaped as a figure of eight.  Silver-gilt with glass bead.Silver-gilt pendant of the Martyrdom of St Barbara, with a crystal bead below, Germany, late 15th century. Pendant, depicts the Martyrdom of St Barbara. The saint kneels before her emblem, the chalice; her father raises a sword to slay her. A crystal bead hangs by a silver ring below. The loop for suspension is shaped as a figure of eight.  Silver-gilt with glass bead.
IMAGE
Victoria and Albert Museum
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Silver-gilt pendant of the Virgin and Child with a glass and ivory pendant, German, late 15th century. Pendant, cast group of the Virgin and Child with the young St John the Baptist; with an ivory and glass pendant hanging from the base.  Silver-gilt with ivory and glass.Silver-gilt pendant of the Virgin and Child with a glass and ivory pendant, German, late 15th century. Pendant, cast group of the Virgin and Child with the young St John the Baptist; with an ivory and glass pendant hanging from the base.  Silver-gilt with ivory and glass.
IMAGE
Victoria and Albert Museum
Europeana
Silver-gilt pendant of the Virgin and Christ, with beads of silver filigree-work and earthenware, German, late 15th - early 16th century. Pendant, the bead of plain silver consists of two filigree-work cones, set with beads. A hoop and ring for the next bead at the top; below, the bead is attached to a silver-gilt pendant of the Virgin lamenting over the dead Christ at the foot of the Cross; a blue earthenware drop-shaped bead hangs below.  Silver and silver-gilt; earthenware and glass.Silver-gilt pendant of the Virgin and Christ, with beads of silver filigree-work and earthenware, German, late 15th - early 16th century. Pendant, the bead of plain silver consists of two filigree-work cones, set with beads. A hoop and ring for the next bead at the top; below, the bead is attached to a silver-gilt pendant of the Virgin lamenting over the dead Christ at the foot of the Cross; a blue earthenware drop-shaped bead hangs below.  Silver and silver-gilt; earthenware and glass.
IMAGE
Victoria and Albert Museum
Europeana
Small silver manicure set, made in England, 1670-1680.   Small silver manicure set, made in England, 1670-1680.   
IMAGE
Victoria and Albert Museum
Europeana
Sprouse JewelrySprouse Jewelry
IMAGE
Uintah County (UT) Library
DPLA
Trein's Jewelry, Inc., Dodge & Kling Jewelry StoreTrein's Jewelry, Inc., Dodge & Kling Jewelry Store
TEXT
Illinois State Historical Society
DPLA
Two beaded braceletsTwo beaded bracelets
IMAGE
TopFoto.co.uk
Europeana
Wampum jewelryWampum jewelry
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National Archives at College Park - Still Pictures
DPLA
Wedding presents for Duke ofWedding presents for Duke of
IMAGE
TopFoto.co.uk
Europeana
Wooden fashion doll with costume and accessories, England, 1755-1760.   Wooden fashion doll with costume and accessories, England, 1755-1760.   
IMAGE
Victoria and Albert Museum
Europeana
Woven JewelryWoven Jewelry
IMAGE
Texas A&M University Kingsville
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Jinx Falkenburg modeling jewelry[Flato jewelry]. Jinx Falkenburg modeling jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
[Flato jewelry]. Model wearing jewelry[Flato jewelry]. Model wearing jewelry
IMAGE
Huntington Library
DPLA
box, jewelrybox, jewelry

National Museum of American History
DPLA
box, jewelrybox, jewelry

National Museum of American History
DPLA
jewelry boxjewelry box

National Museum of American History
DPLA
jewelry boxjewelry box

National Museum of American History
DPLA
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